Red Tree, White Tree
The relationship between human and Faery lies at the very core of the Arthurian stories. In this radical re-evaluation of the Grail legends, Wendy Berg brings some meaningful light to the ancient mythology of the British Isles, centred around the marriage of King Arthur to the Faery Gwenevere. Drawing upon numerous Arthurian sources and other related texts, from the Book of Genesis to The Lord of the Rings, she explores the magical ritual underpinning of the legends and their connection to the ancient stellar deities of Britain. “When these stories are read with the additional level of understanding that they are for the most part a record of the lives and relationships of Faeries and humans working together about the Round Table, they immediately become not only a great deal more interesting, but also acquire a new and vivid relevance for the present day.”
Wendy Berg has thirty years’ experience of all aspects of the Western Mystery Tradition and is an authority on Egyptian, Celtic, Arthurian and Grail magical traditions. She blends a thorough knowledge and experience of the Qabalah and formal ritual magic with Christian Mysticism and modern Paganism. For many years she ran the Avalon Group, the magical fraternity founded by Gareth Knight.
“This is the most important and challenging book on Arthurian and Grail tradition for many a long year.”
– Gareth Knight
Gwenevere and the Round Table
A follow up to her acclaimed Red Tree, White Tree, this book puts the faery elements of Arthurian legend into practice. It shows how the Round Table was an actual, practical system of magic, demonstrated by Gwenevere, who was its prime interpreter within the court of the Round Table. Central to the book is the concept of five Faery Kingdoms described in the legends, with which Gwenevere was closely associated: Lyonesse, Sorelois, Gorre and Oriande, about the central Grail kingdom of Listenois.
The book comprises a graded series of meditations, practical magical exercises, guided visualisations and a full ritual, which take the reader into each of the Faery kingdoms in turn, guided by Gwenevere, to experience the various challenges and gifts that they each represent. The fourth kingdom, Oriande, takes the reader into the Round Table of the Stars, an experiential journey through 12 constellations, which very neatly and remarkably demonstrates the continuing work of the Round Table into the future.
“A classic! Not only a lucid guide to faery dynamics in Arthurian and Grail legend but what to do about it, why, and how. A practical follow up to Wendy’s mind-blowing Red Tree, White Tree. Highly recommended.”
– Gareth Knight
Melusine of Lusignan and the Cult of the Faery Woman
Potent medieval faery lore and hidden goddess traditions for the 21st century. Gareth Knight explores and reveals the hidden mystery of the Faery Melusine, a major figure in medieval French lore and legend. Through vivid interpretation of original source texts, Gareth Knight shows that the Melusine story is a powerful initiatory legend emerging from the deeply transformative Faery Tradition of ancient Europe. Furthermore he demonstrates how such legends manifest as history: the innate sacromagical power of Melusine affected key places and events in the development of the medieval world and from there reached far into the shaping of the modern world through the conflicts for Jerusalem and the Middle East. Gareth Knight is the author of many books on magic, occultism, and esoteric tradition. His work is known world-wide and has been influential in the development of the contemporary magical revival.
The Faery Gates of Avalon
The knights of King Arthur’s Round Table – Erec, Lancelot, Yvain, Perceval and Gawain – first appeared in the works of Chrétien de Troyes, who cast into Old French stories told by Welsh and Breton story tellers which had their origin in Celtic myth and legend. Chrétien wrote at a time when faery lore was still taken seriously – some leading families even claimed descent from faery ancestors! So we do well to look again at these early stories, for they were written not so much in terms of mystical quests or examples of military chivalry but records of initiation into Otherworld dynamics. Gareth Knight, an acknowledged expert on spiritual and magical traditions and a student of medieval French, goes to the well spring of Arthurian tradition to unveil these original principles. What is more, he shows how they can be regenerated today. “Opening the faery gates” can have its reward not only in terms of personal satisfaction and spiritual growth but as part of a much needed realignment of our spiritual responsibilities as human beings on planet Earth.
The Little Book of the Great Enchantment
William Sharp (1855-1905) was a prolific writer; friend and confidant to the literati of the day; an active member of the occult world of the late Victorian period; and a man who spent his life cloaked in layers of secrets – the most important being that he was the pen behind the writings of the mysterious Fiona Macleod. He kept her true identity a closely guarded secret. Many famous people – W.B. Yeats, “AE”, MacGregor Mathers, Dante Gabriel Rossetti – were involved in Sharp’s short life; he was a member of the Hermetic Order of the Golden Dawn and Yeats’ secret Celtic Mystical Order; and he and Fiona Macleod were involved with the mysterious Dr. Goodchild whose ancient bowl was proclaimed by many to be the Holy Grail. But the enduring legacy of these two fascinating writers is the wealth of Faery magical lore contained in the writings of Fiona Macleod.
For the first time this book reveals previously unknown secrets from the life of William Sharp and shows clearly how to recover the Faery lore contained in Fiona Macleod’s literary output. These writings are not only about the Realm of Faery, they are the first authentic first-hand accounts from the Realm of Faery, revealing previously unknown Faery gods and goddesses, Faery belief, lore and magic.
The Little Book of the Great Enchantment adds significantly to the corpus of serious writings on this greatly misunderstood subject.
The Chronicles of the Sidhe
For a thirteen-year period, the reclusive Scottish writer Fiona Macleod enthralled the Victorian reading public with a deluge of stories, novels, poems and essays drawn from the wildly romantic Highland and Island landscape. Although it was later revealed that these works had issued from the pen of William Sharp, it was clear that Fiona Macleod was more than a pseudonym; to Sharp she was very much an autonomous entity. What’s more, the wealth of previously unknown and unheard of myths, names, traditions and beliefs in her writings, while shone through a Celtic prism, show every sign of having emanated from the Realm of Faery.
Steve Blamires presents a ground-breaking assessment of the Faery lore within Fiona Macleod’s literary output as part of his ongoing study of this enigmatic writer. Building on the established groundwork of his biography of Sharp, The Little Book of the Great Enchantment, he explores the mythology and traditions of Faery, their symbolic and magical significance, and the devices employed by Fiona in the transmission of Faery teachings and inspirations. Using examples from Fiona’s rich and resonant body of work, his detailed interpretation will enable the reader to tease out the Faery gems that are still to be found woven into the lines and verse of her writings.
At the Gates of Dawn
A Collection of Writings by Ella Young
edited by John Matthews & Denise Sallee
In early Irish society there existed an honoured group of people called the “Filid.” They preserved the native stories and they were learned in the magical arts. It is within this ancient tradition that Ella Young (1867-1956) lived her unique and creative life. In the late 1800s Ella began to gather the old tales that had been handed down from family to family for centuries. She lived among the rural folk in the West of Ireland and in the hills south of Dublin. As part of her devotion to Irish culture she learned Gaelic and, as a major contributor to the Celtic Revival, she taught classes in the language and the myths.
Ella’s spirituality reached deep into the land and into the heart of ancient Ireland. Others have called her a seeress, a druidess, or a witch – the magical name she gave herself was “Airmid” – the goddess of healing who drew her powers from the fertile green earth. She knew first-hand about the faery folk of Ireland – she heard their music and listened to their stories.
“There is a spell upon her prose, a real enchantment, that echoes through the mind like remembered music…to read the prose books of Ella Young…is to move in a world of epic proportion, heroic deed and heroic character, set against a background of warm earth, where even the gods delight in the small intimacy of blossom and flower…These tales are told with great conviction, as if they were rooted in the experience of the storyteller.” — Frances Clarke Sayers
Faery Loves and Faery Lais
translated by Gareth Knight
The Breton lai is a narrative poem, usually accompanied by music, that appeared in France about the middle of the 12th century, carried by travelling musicians and storytellers called jongleurs. What is important about them is that they contain a great deal of faery and supernatural lore deriving from Celtic myth, legend and folktale.
This collection of twelve tales focuses on faery lore in the lai tradition. Nine are taken from anonymous medieval jongleur sources; the other three are from the more courtly tales collected by Marie de France in the late 12th century. Gareth Knight, a scholar of medieval French as well as an established author on esoteric faery lore, provides a vivid and lively translation of each lai along with a commentary which takes a perspective both historic and esoteric.
The Romance of the Faery Melusine
translated from a novel by André Lebey
Springing from the heart of medieval France, The Romance of the Faery Melusine tells the story of Raymondin of Poitiers who accidentally kills his uncle while out hunting, and flees deep into the forest until he encounters a faery by a fountain. Struck by a mutual soul-love, the faery Melusine agrees to help him, and to become his wife, on condition that he makes no attempt to see her between dusk and dawn each Saturday. On this basis the house of Lusignan magically thrives, until a treachery tempts Raymondin to violate his promise and shatter the magic which holds his faery wife to the human world.
First rendered into written form in a text by Jean d’Arras in 1393, the legend of the Faery Melusine is well established in France, where she is credited with having founded the family, town and castle of Lusignan. However, it is very little known in the English-speaking world, despite the fact that Melusine originally hailed from Scotland.
This new translation by Gareth Knight of André Lebey’s 1920s novel Le Roman de la Mélusine captures the freshness of Lebey’s retelling of the legend and brings the benefit of Knight’s expertise both in medieval French literature and in the esoteric faery tradition. Gareth Knight is the author of The Faery Gates of Avalon and The Book of Mélusine of Lusignan.
The Book of Mélusine of Lusignan
in History, Legend & Romance
edited with translations by Gareth Knight
Considerable interest in faery tradition has grown up in recent years and not least in the story of Mélusine of Lusignan, the subject of a prose romance by Jean d’Arras at the end of the 14th century, swiftly followed by one in verse by Couldrette. This book provides a collection of material from various sources to give an all round picture of the remarkable faery, her town, her church, her immediate family, and the great Lusignan dynasty she founded.
An established authority on Mélusine, Gareth Knight collects together all the best source material, which he translates from the French, and presents his own researches into the Lusignan family of the 12th century, whose dynasty included kings of Cyprus and Jerusalem, examining the possibility of a familiar spirit guiding the family in its destiny.
The Fairy Realm
While examining various belief traditions across Europe and the United States, The Fairy Realm consults an assemblage of anecdotal evidence as to the existence of fairies and other creatures that appear in fairy tales – giants, ogres, trolls, mermaids, brownies, wildmen, kelpie, puca and other mythological beings. Ronan Coghlan, whose works include The Encyclopaedia of Arthurian Legends, Handbook of Fairies, Irish Myth and Legend and The Grail, examines an array of alleged fairy sightings in a bold endeavour to find where fairies fit into the modern scientific concepts of the universe. Unlike myriad books on ghosts and extraterrestrials, this book tackles the possibility of fairy existence, and in doing so dares to approach all manner of sceptical argument and ‘borderline science.’
None currently planned in this subject area.